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Dónal Kennedy 4 years ago
Breathtaking filmmaking that establishes a deep relationship between spectacle & spectator
Carlos Encalada almost 6 years ago
majestic. peaceful. enthralling.
John Matos almost 6 years ago
Kept me enthralled with just music & images. The viewer creates context. Beautiful
Germán Sabina Serrat over 6 years ago
Gracias Ron Frick.
Brendan Keevers over 7 years ago
Remarkable film showing the amazing landscapes, people, civilizations & wildlife of earth.
Randi Steers over 7 years ago
A visual masterpiece.
Levi over 7 years ago
Can't watch this film enough. You forget how vast our planet is...
Maria Andrea over 7 years ago
se puede ver muchas veces pero con un carita feliz
Jake Barlow over 7 years ago
Facu Leiva-Freytes almost 3 years ago
eduardo canavezes over 3 years ago
Daniel Duval over 3 years ago
Noah Rymer 4 years ago
Mark 4 years ago
Sam Bowman 4 years ago
Jesse Beatson over 4 years ago
We's Kbul 5 years ago
Henrique Smith over 5 years ago
Euan Marshall over 5 years ago
Baraka is a 1992 non-narrative film directed by Ron Fricke. The title Baraka is a word that means blessing in a multitude of languages. The film is often compared to Koyaanisqatsi, the first of the Qatsi films by Godfrey Reggio of which Fricke was cinematographer. Baraka was the first in over twenty years to be photographed in the 70mm Todd-AO format. Baraka has no plot, no storyline, no actors, no dialogue nor any voice-over. Instead, the film uses themes to present new steps and evoke emotion through pure cinema. Baraka is a kaleidoscopic, global compilation of both natural events and by fate, life and activities of humanity on Earth. Baraka's subject matter has some similarities to Koyaanisqatsi—including footage of various landscapes, churches, ruins, religious ceremonies, and cities thrumming with life, filmed using time-lapse photography in order to capture the great pulse of humanity as it flocks and swarms in daily activity. The film features a number of long tracking shots...
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