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Aaron Jones over 2 years ago
Only one of the finest-ever examples of romantic cinema
Charlie Alcock over 5 years ago
I think I found it more depressing than anything else
Austin over 6 years ago
A well executed melodrama that was ideologically ahead of its time.
JP Hastings-Spital almost 8 years ago
The simplest of stories told honestly and believably.
amina zadeh almost 8 years ago
Who would have ever thought that an affair could be so enchanting and pure?
Catherine over 1 year ago
Nikki Smiton 3 years ago
Haydn Line over 3 years ago
Nino Vignjevic over 4 years ago
Jennifer Kaiser over 4 years ago
Lino Monteiro 5 years ago
Sina Bakhshandeh almost 6 years ago
Kamyar Askari 6 years ago
Tom o'brien 6 years ago
Tomislav Pavicic almost 7 years ago
Ale Márquez 7 years ago
Lou over 7 years ago
Gabija over 7 years ago
Brief Encounter is a 1945 British film directed by David Lean about the conventions of British suburban life, centring on a housewife for whom real love (as opposed to the polite arrangement of her marriage) brings unexpectedly violent emotions. The film stars Celia Johnson, Trevor Howard, Stanley Holloway and Joyce Carey. The screenplay is by Noël Coward, and is based on his 1936 one-act play Still Life. The soundtrack prominently features the Piano Concerto No. 2 by Sergei Rachmaninoff, played by Eileen Joyce. Laura Jesson (Johnson), a suburban housewife in a dull but affectionate marriage, tells her story in the first person while at home with her husband, imagining that she is confessing her affair to him. Conventional Laura, like most women of her class at that time, goes to a nearby town once a week for shopping and to the cinema for a matinée. Returning from one such excursion to Milford, while waiting at the station, she is helped by another passenger to remove a piece of grit...
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