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Miles Ross over 4 years ago
Fantastic cinematography. The plot drags on, but its worth it for the visuals.
Austin 5 years ago
Kubrick's most under-appreciated film. It's a true masterpiece.
Taylor Reginald Wright over 5 years ago
This tale of an Irishman who climbs the ladder of British aristocracy is visually perfect.
Paula Maddern 6 years ago
This film is strangely intoxicating. Long, slow with hypnotic repetitious music.
Dominic Dirupo 6 years ago
Surprisingly funny period drama. Kubrick's hidden gem
Nate McBean over 6 years ago
Not my favorite kubrick movie by a long shot (9/28/2011)
Robyn Hamilton over 6 years ago
Far too long and filled with cringily bad Irish accents. Great cinematography
Anthony Kozlowski over 6 years ago
Very slow and not very rewarding, but still a grotesque portrait of decadence.
Paul McCamley almost 7 years ago
Wonderful cinematography and strong performances make this rambling period piece.
Camille Lévesque almost 7 years ago
Weird, long, boring at parts, yet you have to watch it.
Türkü 4 months ago
Mobina Parvaneh 10 months ago
tal sheldon over 1 year ago
Sam Bowman almost 2 years ago
Daniel Lanciana over 2 years ago
Jennifer Kaiser over 2 years ago
sapinho over 2 years ago
Jonathan Evans over 2 years ago
Issac Spicer over 2 years ago
Barry Lyndon is a 1975 British-American period romantic war film produced, written, and directed by Stanley Kubrick based on the 1844 novel The Luck of Barry Lyndon by William Makepeace Thackeray which recounts the exploits of an 18th century Irish adventurer. Ryan O'Neal stars as Barry Lyndon. The film had a modest commercial success and a mixed critical reception; now it is seen as one of Kubrick's finest films. It was part of Time magazine's poll of the 100 best films as well as the Village Voice poll conducted in 1999 and was ranked #27 in Sight and Sound's 2002 film critics poll. Director Martin Scorsese has cited Barry Lyndon as his favorite Kubrick film. Quotations from it appeared in such disparate works as Ridley Scott's The Duellists, Martin Scorsese's The Age of Innocence, Wes Anderson's Rushmore and Lars von Trier's Dogville. The film is divided into two halves each headed with a title card. An omniscient narrator informs us that in 1750s Ireland, the father of Redmond...
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