Oh, hello! Welcome to Goodfilms

We are different.

We believe that sometimes critics get it wrong, and the flops can be a lot of fun in the right moment.

Rate, review, and share the films you love and the films you love to hate and we'll make sure you've always got something to keep you glued to the screen.

Let's get you started.

Get started on Goodfilms by signing in using Facebook, Twitter or Netflix.

Haydn Line 2 years ago
gr8 social commentary from sodderz
Marisabel Bonet-Cruz over 4 years ago
One of my favorites. Great job depicting the "war" against drugs.
Michael Cole 5 years ago
Does a great job telling four different stories without making them feel disjointed.
Jim Barton over 5 years ago
This is okay but try the British mini-series of the same name. Far better!
Chad Breece 7 years ago
One of my fav's. Benicio. Del. Toro.
Mark Minnis 7 years ago
Well executed, gritty. Watch if you want to feel depressed/fire-up about the war on drugs.
Don Lathrop 2 months ago
Justinas Jarukaitis over 1 year ago
Michelle Arostegui over 1 year ago
lane soward over 2 years ago
Jonathan Evans over 2 years ago
Thibaut Morel almost 3 years ago
Noah Rymer almost 3 years ago
Andrew Dennison over 3 years ago
Guy Meltzer almost 4 years ago
Brian Trenholm over 4 years ago
Keith Haddock over 4 years ago
Traffic is a 2000 American crime drama film directed by Steven Soderbergh and written by Stephen Gaghan. It explores the illegal drug trade from a number of perspectives: a user, an enforcer, a politician and a trafficker. Their stories are edited together throughout the film, although some of the characters do not meet each other. The film is an adaptation of the British Channel 4 television series Traffik. 20th Century Fox, the original financiers of the film, demanded Harrison Ford play a leading role and that significant changes to the screenplay be made. Soderbergh refused and proposed the script to other major Hollywood studios, but it was rejected because of the three-hour running time and the subject matter. USA Films, however, liked the project from the start and offered the film-makers more money than Fox. Soderbergh operated the camera himself and adopted a distinctive cinematography tint for each story so that audiences could tell them apart. Traffic was critically...
Read more on External IMDB External Wikipedia

Related:

  • 22
    38
    0
  • 0
    0
    0
  • 396
    283
    24
  • 107
    527
    10
  • 22
    15
    2
  • 116
    621
    8