Oh, hello! Welcome to Goodfilms

We are different.

We believe that sometimes critics get it wrong, and the flops can be a lot of fun in the right moment.

Rate, review, and share the films you love and the films you love to hate and we'll make sure you've always got something to keep you glued to the screen.

Let's get you started.

Get started on Goodfilms by signing in using Facebook, Twitter or Netflix.

Pamela Murray over 1 year ago
Orson Welles at his best--have watched this several times and it never gets old.
Aaron Jones almost 2 years ago
Moody, atmospheric noir with two of the best actors of the era. Worth multiple viewings.
Logan West 2 years ago
Very interesting and I'm glad I watched it but probably wouldn't again.
Noah Rymer over 3 years ago
somewhat fun to watch, good pace, but not very memorable to me.
Jonathan Evans over 3 years ago
I musn't have paid attention to this film noir classic, because I found it hard to follow.
Dónal Kennedy 4 years ago
A fascinating window into post-war Vienna, if a bit dry in places.
zorlack over 4 years ago
Not what I expected: The Third Man is a tense mystery in a fascinating setting.
Ryan Boucher 5 years ago
An really enjoyable film.
Charlie Alcock over 5 years ago
Proper classic noir. Gorgeous imagery and keeps up tension throughout.
Austin almost 6 years ago
The Third Man is one of the very best films I've ever seen.
Grant davies 6 years ago
love this film.
Ivan D'souza over 6 years ago
Liked the unique background score. Odd plot but interesting.. Also unique final scene
Devin Bruce over 6 years ago
I love that there's barely a straight-angle shot in the film.
Callum almost 7 years ago
Beautiful, funny and thrilling. Defies age.
Shalena 12 months ago
CHRISTOPHER MULAI over 1 year ago
Scot Jon Con over 1 year ago
Alex Silver over 1 year ago
Haydn Line almost 2 years ago
The Third Man is a 1949 British film noir, directed by Carol Reed and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Many critics rank it as a masterpiece, particularly remembered for its atmospheric cinematography, performances, and unique musical score. The screenplay was written by novelist Graham Greene, who subsequently published the novella of the same name (which he had originally written as a preparation for the screenplay). Anton Karas wrote and performed the score, which used only the zither; its title cut topped the international music charts in 1950. American pulp Western writer Holly Martins arrives in Post-World War II Vienna seeking his childhood friend, Harry Lime, who has offered him a job. Martins discovers that Lime was killed by a car while crossing the street; at Lime's funeral, Martins meets two British Army Police: Sergeant Paine, a fan of Martins's books, and his superior, Major Calloway. Afterwards Martins is asked to give a lecture to a...
Read more on External IMDB External Wikipedia

Related:

  • 14
    8
    2
  • 2
    0
    0
  • 8
    4
    1
  • 17
    12
    1
  • 1
    0
    0
  • 1
    0
    0