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Pamela Murray 1 month ago
Orson Welles at his best--have watched this several times and it never gets old.
Aaron Jones 6 months ago
Moody, atmospheric noir with two of the best actors of the era. Worth multiple viewings.
Logan West 8 months ago
Very interesting and I'm glad I watched it but probably wouldn't again.
Noah Rymer 2 years ago
somewhat fun to watch, good pace, but not very memorable to me.
Bob Blaschuk 2 years ago
Superb film noir mystery with an amazing final act and manhunt. Worth your time.
Jonathan Evans 2 years ago
I musn't have paid attention to this film noir classic, because I found it hard to follow.
Dónal Kennedy over 2 years ago
A fascinating window into post-war Vienna, if a bit dry in places.
zorlack 3 years ago
Not what I expected: The Third Man is a tense mystery in a fascinating setting.
Ryan Boucher over 3 years ago
An really enjoyable film.
Charlie Alcock 4 years ago
Proper classic noir. Gorgeous imagery and keeps up tension throughout.
Austin over 4 years ago
The Third Man is one of the very best films I've ever seen.
Grant davies over 4 years ago
love this film.
Ivan D'souza almost 5 years ago
Liked the unique background score. Odd plot but interesting.. Also unique final scene
Devin Bruce 5 years ago
I love that there's barely a straight-angle shot in the film.
Callum over 5 years ago
Beautiful, funny and thrilling. Defies age.
Scot Jon Con 14 days ago
Alex Silver 24 days ago
Haydn Line 6 months ago
John Bell 8 months ago
Jonathan Guerra 8 months ago
The Third Man is a 1949 British film noir, directed by Carol Reed and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Many critics rank it as a masterpiece, particularly remembered for its atmospheric cinematography, performances, and unique musical score. The screenplay was written by novelist Graham Greene, who subsequently published the novella of the same name (which he had originally written as a preparation for the screenplay). Anton Karas wrote and performed the score, which used only the zither; its title cut topped the international music charts in 1950. American pulp Western writer Holly Martins arrives in Post-World War II Vienna seeking his childhood friend, Harry Lime, who has offered him a job. Martins discovers that Lime was killed by a car while crossing the street; at Lime's funeral, Martins meets two British Army Police: Sergeant Paine, a fan of Martins's books, and his superior, Major Calloway. Afterwards Martins is asked to give a lecture to a...
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